Asha Kiani Artist

Theatre

Theatre making & performance

Theatre making & performing

In January 2020, Asha wrote and performed her debut solo piece 'Drift' as part of The Blue Room Theatre's 'Summer Nights' season for Fringe World Festival. The piece explored grief and loss and received the most audience votes for Best of (The Blue Room Theatre, 600 Seconds, Perth Fringe World Festival). Inspired by her work with Iranian-Australian community, Asha wrote, directed and performed in Áváreh آواره & Found as part of The Blue Room Theatre's 900 Seconds (of Storytelling) Program in January 2021. In 2022, Asha made her puppetry and children's theatre debut, being cast as Elliot in Elliot's Big Nose and the Snot That it Grows for the State Theatre Centre's State of Play program at Perth Fringe world 2022.
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Áváreh آواره & Found

Exhibition 2021

Áváreh آواره & Found

Avareh آواره & Found was the Second Generation Collective's debut Major Exhibition. A labour of love, it was the result of a year-long creative process which shaped the establishment of the Collective and its mission.
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Saga Sisterhood

Stories from South Asian Women

Saga Sisterhood: Stories from South Asian Women

During Blue Room’s 2019 Winter Nights season, Asha was part of devising and performing in ‘Saga Sisterhood,’ a transformative performance project for women from communities who identify as South Asian that come from non- performer backgrounds. The Saga Sisterhood project started at The centre for stories, led my multi- talented artist, Sukhjit Kuar Khalsa. Women of South Asian identities came together and went through a process of learning the art of storytelling with renowned storyteller Sisonke Msimang and other mentors.
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Teaching Artist

Bringing the Arts to children

Teaching Artist

Asha is a Teaching Artist, currently working with 4-12 year olds at as part of Barking Gecko Theatre Company's Gecko Ensemble Program. facilitating weekly programs for children to embrace creativity, build their skills in self-expression, amplify their inner voice and embrace their qualities is a rich part of Asha's life as an artist.
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The Dirty Mother

Producing a show about birthing & motherhood

The Dirty Mother

In 2019, Asha got on board the amazing brain child of artist Michelle Hall’s theatre epic, ‘The Dirty Mother’. Michelle is a leader and advocate for Mothers and carers in the arts and this show is one of the many ways she gives voice to maternity and reproductive rights. Returning in 2022 for Fringeworld, Asha is on the production team for this epic piece of theatre. The Dirty Mother is a small act of civil disobedience, it's punk maternity, electric guitar and exploding pomegranates. The Dirty Mother reminds us that we were all born, that we all have a birth story.  Commune with Michelle, the mother-hero in this 21st century D-I-Y Birth Rite as she shits her baby out and breathes it back to life, dirty, but definitely alive and ripe for telling the tale - the one nice ladies are not supposed to tell. The Dirty Mother will move, shock and leave you thinking about your own arrival to LIFE.
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Second Generation Collective

A Community Arts Collective co-founded by Asha Kiani & Elham Eshraghian Haakansson in 2019 with the local Iranian-Australian diaspora.

Second Generation Collective

In 2020, Asha Kiani and artist Elham Eshragian-Haakinsson co-founded the Second Generation Collective. This is a project that seeks to curate and express the stories of the local Iranian-Australian community in Perth, Western Australia. The project aims to critically and emotionally expresses the notions of belonging, loss, grief, resilience, and healing by engaging stories shared by the first generation, those who escaped persecution during the 1979 Iranian Revolution, and the second generation, children of those who escaped, of which we identify as. Within the Iranian-Australian refugee and migrant community of Perth, we aim to bridge the intergenerational gap and confront the dichotomies of identity; the push and pull of accepting or rejecting culture, the acknowledgment of journeys taken by the first generation in hopes of a safer life for their family and an expression of the realities of growing up in Australia with dual identity.
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Music & Sound

Sound-scape design & self-prpduced EP

Music & Sound

Asha has been a keen musician from a young age, receiving formal lessons in flute throughout schooling, vocal training in a youth children's and youth chorale, and teaching herself guitar, ukulele and now electronic music production.
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Barefaced Stories

Story telling for Perth locals

Barefaced Stories

As described by founder, Andrea Gibbs, "Barefaced Stories is a platform for those who surrender to the chaos of being human. Raw, honest, self-aware – our storytellers wear their bloody beating hearts on their sleeves and are some of the bravest folk you’ll see." In 2021, Asha was invited to be a story teller for the Barefaced Stories event themed 'Bring The Pain.' She did a story telling piece about her childhood experience of watching her mother die from cancer.
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EnglisiFarsi

Designing a bi-lingual book series

EnglisiFarsi

During its inception in 2016, Asha was one of the first team members for the Persian/English book series, EnglisiFarsi created by her sister-in-law, Moná Kíání. Asha worked on the team for book Cover design and audio production for the online iBook series that includes audio translation. EnglisiFarsi has since taken off, garnering International clientel passionate about preserving their mothertongue, culture and poetic Farsi language in next generations.
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Saga Sisterhood: Stories from South Asian Women

Saga Sisterhood: Stories from South Asian Women

During Blue Room’s 2019 Winter Nights season, Asha was part of devising and performing in ‘Saga Sisterhood,’ a transformative performance project for women from communities who identify as South Asian that come from non- performer backgrounds. The Saga Sisterhood project started at The centre for stories, led my multi- talented artist, Sukhjit Kuar Khalsa. Women of South Asian identities came together and went through a process of learning the art of storytelling with renowned storyteller Sisonke Msimang and other mentors.
Find out more

Second Generation Collective

Second Generation Collective

In 2020, Asha Kiani and artist Elham Eshragian-Haakinsson co-founded the Second Generation Collective. This is a project that seeks to curate and express the stories of the local Iranian-Australian community in Perth, Western Australia. The project aims to critically and emotionally expresses the notions of belonging, loss, grief, resilience, and healing by engaging stories shared by the first generation, those who escaped persecution during the 1979 Iranian Revolution, and the second generation, children of those who escaped, of which we identify as. Within the Iranian-Australian refugee and migrant community of Perth, we aim to bridge the intergenerational gap and confront the dichotomies of identity; the push and pull of accepting or rejecting culture, the acknowledgment of journeys taken by the first generation in hopes of a safer life for their family and an expression of the realities of growing up in Australia with dual identity.
Find out more

The Dirty Mother

The Dirty Mother

In 2019, Asha got on board the amazing brain child of artist Michelle Hall’s theatre epic, ‘The Dirty Mother’. The Dirty Mother is a small act of civil disobedience, it's punk maternity, electric guitar and exploding pomegranates. The Dirty Mother reminds us that we were all born, that we all have a birth story.  Commune with Michelle, the mother-hero in this 21st century D-I-Y Birth Rite as she shits her baby out and breathes it back to life, dirty, but definitely alive and ripe for telling the tale - the one nice ladies are not supposed to tell. The Dirty Mother will move, shock and leave you thinking about your own arrival to LIFE.
Find out more

EnglisiFarsi

EnglisiFarsi

During its inception in 2016, Asha was one of the first team members for the Persian/English book series, EnglisiFarsi. Cover design and ibook production.
Find out more